The Erhu Man
When the old neighbour on the first floor plays his Chinese violin, the Erhu, I just stop dead in the apartment and listen.
Sad, beautiful tunes are echoing between the walls, and all of our otherwise noisy neighbours seem to quiet down. Some open their windows to let this ancient music in together with the whiffs of smog from afternoon traffic.
The music is melancholy and crystal clear, carrying into every corner of the hutongs, bringing pictures of rice paddies and sugar top mountains in the midst of the heaps of garbage on the streets around our house.
Sometimes the Erhu man leaves his front door open so you can peek inside as he plays. He sits in his living room with his back towards the door, head slightly bent and his arm slowly swaying as he slides the bow over the strings, making the Erhu sing. The TV is perpetually left on in front of him but the volume is turned down, his profile against the flickering screen as he plays accompanied by a low buzz of Chinese talk shows, news and soaps.
Something about the sound strikes a sentimental note in me. The sliding notes improvising up and down sounds like a small child humming, not caring if it’s making up a happy or a sad melody, not caring if the song will be remembered of not.
